LEWITT LCT 640

LEWITT’s LCT 640 is designed to raise the bar in its class of reference-quality large-diaphragm condenser microphones. This Austrian-designed and engineered pro-mic delivers a smooth, unsurpassably rich and exceptionally nuanced sound, and exhibits a remarkable set of qualities that enthuses even the most discerning users. The LCT 640 excels in a variety of demanding studio applications and stands for unrivalled performance in miking lead and background vocals, drums, percussion instruments, grand pianos, brass and woodwinds, classical music ensembles.

In addition to the standard omni-directional, cardioid and figure-8 polar patterns, the LCT 640 offers a wide-cardioid and super-cardioid characteristic. It offers a dynamic range of 135 dB and stands out for its extremely low self-noise of 10 dB. In combination with a 4-level high-pass filter and 4-level switchable pre-attenuation, the LCT 640 provides maximum versatility in all recording situations. Automatic attenuation, key-lock, clipping history, push buttons and a light-up user interface round off the features of this outstanding microphone.

Features and Applications

Features

Superior transient response from ultra-thin externally biased, gold-layered low-mass diaphragms for ear-catching realism and authentic soundFlat frequency response for natural, authentic soundFive consistent directional characteristics – cardioid, omnidirectional, figure-8, broad cardioid and supercardioid – for maximum flexibility in a wide variety of recording applications10 dB self-noise and max SPL of 145 dB for an impressive total dynamic range of 135 dB, providing maximum acoustic presence and clarity4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB and 18 dB) for handling extremely high sound pressure levels and 4-position high-pass filterIlluminated user interface for quick and easy handling even in dark environmentsNoiseless pushbuttons for quick and easy attenuation and HPF selectionClipping history, automatic attenuation and key-lock provide error-free recording and unparalleled ease of useRugged all metal construction for reliable performance onstage and in the studioExtra-large hexagonal ruthenium-galvanized steel mesh grille provides an open acoustic environment and prevents unwanted internal reflectionsImmune to electromagnetic interference thanks to transformerless preamplifier circuitryCorrosion-resistant gold-plated 3-pin XLR output connectorComes in a black carrying case; includes LCT 40 SHx shock mount, LCT 40 Wx windshield and DTP 40 Lb artificial leather bag

Top applications

Lead and background vocals Acoustic instruments // piano, guitar, drums, percussion, strings... Overhead miking // drums, percussion... Ensembles // choral or orchestral Room ambiance pick-up // guitar amplifier, drums... Wind instruments // brass and woodwinds... Demanding live and studio applications

Tech Data

Acoustical operating principle pressure gradient transducer,

externally polarized

Transducer O 25,4 mm

1 inch

Directional pattern omni

broad-cardioid

cardioid

super-cardioid

figure-8

Frequency range 20 ... 20.000 Hz

Sensitivity 13 mV / Pa (-38 dBV), cardioid

10 mV / Pa (-40 dBV), omni

9 mV / Pa (-41 dBV), figure-8

Signal / noise ratio 84 dB-A

Equivalent noise level 10 dB-A, cardioid (IEC 61672-1)

12 dB-A, omni (IEC 61672-1)

13 dB-A, figure-8 (IEC 61672-1)

Dynamic range of mic. Amp. 135 dB-A

Max. SPL for 0,5 % THD 145 dB, 0 dB pre-attenuation

151 dB, 6 dB pre-attenuation

157 dB, 12 dB pre-attenuation

163 dB, 18 dB pre-attenuation

Pre-attenuation pad 6 dB, 12 dB, 18 dB, switchable

Bass cut filter slope 12 dB / octave at 40 Hz

6 dB / octave at 150 Hz

6 dB / octave at 300 Hz

Rated impedance < 150 ohms

Rated load impedance > 1.000 ohms

Supply voltage 48 V + / - 4 V (IEC 61938)

Current consumption 5,5 mA (IEC 61938)

Connector gold plated 3-pin XLR

Dimensions 158 x 52 x 36 mm

6,22 x 2,04 x 1,42 inch

Net weight 430 g

15,2 oz